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An eternal material, in a world that is a continuous becoming
There are few people who know the details of lost wax casting, even among experts. Do you know many artists who try bronze? I do not, and I know many artists. But it is not a question of knowledge, but rather the tail of a legacy that for centuries has seen the hard work of craftsmen the prerogative of a world of men, in the forges, among the blacksmiths. Personally, among all the techniques, fusion is the one that continues to fascinate me most because it is fallible, because it is the result of very delicate balances between iconographic rendering, laws of physics and chemistry, because it is a union between creativity and science, because the finished object has a long birth path, before becoming eternal (...)
Gabriela was born in a post-dictatorship society, in a climate sensitive to the world of Neruda, to magical realism. But her essence is less docile than it seems. During our conversations there is a word that I have often heard her pronounce: resistance.
She told me one day: “Our role as artists in today’s society is in great crisis, but I believe that never as today is it worth resisting.” Understood not as opposition but as the capacity to resist, which is something else entirely and which links perfectly to that stubborn, cultural will to go forward along the most impassable roads.
Barbara Paltenghi Malacrida
Director of the Cantonal Art Museum of Mendrisio, June 2021.